Oct 13, 2010

A Bad Review


I've been a little quiet the past few days while puzzling over the review of David Weber's Out of the Dark. It's not a problem specific to the book, nor is is indicative of the book's quality.  It's a common occurrence - it just takes a few days for me to figure out how to put my feelings into words.
So while I was busy not reviewing Out of the Dark, I decided to waste some time on Twitter. Where I saw this:

@torbooks - RT @BSCreview: Out of the Dark by David Weber – review http://bit.ly/cjC0xM

I decided to take a look at the "review" and was very surprised at what I found over at BSCReview.

Who’s the reigning King of Military Science Fiction? David Weber, author of the Honor Harrington, novels, is certainly a contender for the crown with his ultra-realistic descriptions of weapons and battle strategies, and his suspenseful, colorful descriptions of warfare and battles against alien foes. His newest novel, Out of the Dark,

is sure to add to his well justified fame. Though not an Honor Harrington novel, it is a superb stand-alone thriller about the invasion of the Earth in the near future by the Shongairi, a race of carnivorous beings bent on colonizing the planet and enslaving humanity.


The Galactic Hegemony, an organization made up of civilized sentient races, has decided that humans are nothing more than blood-thirsty savages. They are omnivores seemingly bent on their own destruction, and have no hope of attaining any higher level of intelligence or civilization. The Earth is thus marked for colonization by the Shongairi. Whatever happens to the humans is of little or no import to the Hegemony once the decision has been made, though the centaur-like Barthonis, who made the fateful judgment, secretly wouldn’t mind if the Shongairi get more than they bargained for.

The Barthonis, an herbivorous race, based their judgment on viewing an extremely bloody battle King Henry of England had against France, in which his forces succeeded despite being vastly outnumbered, because he held the better ground and employed better battle tactics. They just see it as a pointlessly violent battle, which would be extreme to their way of thinking even if carnivores like the Shongairi were the participants. The Survey Team calls our planet KU-197-20.

This opening scene of the battle is their justification that it is morally justifiable to subjugate humanity. They realize that it will be several hundred years before the Shongairi can reach the Earth and begin their conquest, and that things can change during that time, but they don’t believe that humanity will have been able to attain a much higher degree of sophistication, intelligence, and civilization even given the rather long interim time period until the point when the Shongairi arrive.

The Shongairi find that humanity has changed much more than the they or the Galactic Hegemony team had anticipated. In fact, though we still engage in extreme instances of violence, pointless wars, and we have no One Government type of world, in many ways humanity has attained a Level Two civilization. They decide to continue on with their plans, though, and to try to hide the truth about humanity’s unprecedented speed at attaining this higher level by destroying any evidence that might suggest this, after they conquer the Earth and humanity bows down to them as their masters.

Out of the Dark originally began as a novella in the anthology Warriors, which was reviewed here at BSC (but not by me). The main character of the novella is also one of the novel’s main characters, Master Sergeant Stephen Buchevsky. He believes that he is going to be rotated home from his latest tour in Afghanistan. Instead, Buchevsky finds himself in Romania, prowling the back country of the Balkans, dodging alien patrols and trying to organize the scattered survivors without getting killed.

David Weber expanded greatly on the original story, and the novel is told from multiple POVs. Humanity is much more tenacious than the Shongairi had thought they’d be. Despite the world’s main military bases and most of its major cities having been destroyed by energy weapons that make it seem as if they’d been wiped out by nuclear bombs, our surviving military forces valiantly fight back. They use, for instance, F-22′s and Abrams and Bradley tanks to inflict casualties on the Shongairi, and they make up an impressive resistance movement. The Shongairi have never had to combat anyone who had achieved a Level Two civilization before. Their armor wasn’t built to stand up to spent-uranium ammunition, and their combat strategies never had to develop a high level of nuance, because they had always faced foes that had offered comparatively little resistance. As the author notes, in the Shongairi’s defense:

It wasn’t their fault. This wasn’t the kind of battle they’d been trained to fight. Not the kind of combat their vehicles had been built to survive or their doctrine had been framed to confront.

The survivalist efforts of the Dvorak and Wilson families, as well as the battle scenes, were the two biggest factors in my enjoyment of the novel. Former Marine Dave Dvorak and Rob Wilson run a shooting range, and they have been steadily making improvements on a massive cabin in the Nantohal National Forest in North Carolina over the decades. The cabin has been in the Dvorak family for a long time, and both clans gather up their impressive array of guns and other belongings and head to it upon hearing about the alien invasion. A quote I really liked and thought was amusing regarding Dvorak and Wilson is one told by some of their friends, that they “were both politically somewhere to the right of Attila the Hun, although possibly still to the left of Genghis Khan.”

Out of the Dark by David Weber is Military SF at its best. It’s a novel that gives one hope that if worst came to worst, and we were invaded by a technologically superior race, we would give them all the fight they wanted, and more, even if Washington, DC, was bombed back into the Stone Age.

Oh, and then there are the other heroes that come to humanity’s aid, though they have generally considered us to be prey items….When it comes to the defense of the Earth, and kicking some Shongairi butt, certain differences can be put temporarily aside. If you’re a fan of the Honor Harrington, novels, or Military SF in general, you’re going to want to add the very compelling and page-turning Out of the Dark to your reading lists.

Now, I typically wouldn't quote whole articles verbatim but it's necessary to illustrate my point. By color coding for Opinions/Reviews, Facts about the book/author, Summary of the book, and Quotes it should be very easy to see the breakdown of this so-called review. And this is being extremely generous when labeling review statements. And I understand why Tor is promoting the article - it's basically an elevator pitch stapled to an outline of the first five chapters. But to call it a review?

Ignoring the deep thoughts of "page-turning," "ultra realistic" and "compelling" in the introduction and conclusion of the review, the actual review content boils down to a single sentence:
 
The survivalist efforts of the Dvorak and Wilson families, as well as the battle scenes, were the two biggest factors in my enjoyment of the novel.

That's it. Now there are some generalizations about David Weber and his status in the military SF subgenre. Oh and the fact that Weber wrote The Honor Harrington Novels. Well at least BSCReview read the cover. Or at least the front of it. If they had read the back, they might have realized that the same book they describe as a "superb stand-alone thriller" is also the "stunning launch of a new military series." I love stand-alone series. And Democrublicans.


From poking around their site it's clear that BSCReview is interested in making money and little else. I don't necessarily disagree with the overall tone of the piece. Out of the Dark is an enjoyable novel (saving my full thoughts for the review) but there is no way you can consider this a legitimate review by any definition of the word. And I would hope that any respectable book reviewer can see why.

Look for a real review of Out of the Dark in the near future.

Oct 8, 2010

Covering Covers: Leviathan Wakes - James S.A. Corey



I happened upon this little gem in my internet travels today. Leviathan Wakes is due out next June from Orbit (at least in the UK) from author James S.A. Corey. Corey is actually a pseudonym for fantasy writer Daniel Abraham (who also goes by M.L.N. Hanover for Urban Fantasy) and Ty Franck. Ty Franck has worked with George R.R. Martin in the past but this is his first full length piece.

The basic premise:
Hundreds of years in the future, the solar system has become a dense network of human colonies. But there are tensions - the mineral-rich outer planets resent their dependence on Earth and Mars, and the political and military influence they wield.


When Captain Jim Holden's ice miner stumbles across an abandoned ship, he uncovers a secret that threatens to throw the entire system into war. After his own ship is destroyed by a mysterious stealth craft, Holden must discover the motives behind the attack, prevent the largest armed conflict in history, and uncover a conspiracy that threatens the entire human race...
Sounds like an intimate romance, no?

I'm not sure if that cover is a John Harris or not but it is beautiful. I know its a little cliche but I can't help it - I love a good space opera cover. Planets and space stations delightful akimbo, embracing the directionless mentality of space. The rough lines and geometric shapes make me think it's a Harris cover but that hasn't been confirmed.

It's also clearly a "debut" cover. Leviathan Wakes absolutely overshadows the authors name like Neil Gaiman at a book convention. Not exactly surprising, given the fact that the author is as fictional as the story itself.

Leviathan Wakes will be out next June from Orbit (at least in the UK).

Oct 7, 2010

A Stomping on Yeti First!!!


During my short career as a book blogger, one of the things I've always wondered about is whether or not my blog name was a good choice. Don't misunderstand, it's definitely unique. I just don't know if "Stomping on Yeti" is exactly synonymous with "respectable reviewer of genre fiction".


The one thing in particular that I doubted was that "Stomping on Yeti" would be a website publishers would be willing to quote. Ignoring content, "Stomping on Yeti" doesn't suggest the same credibility that is inherent in names like SFSite, Speculative Horizons, or Fantasy Book Critic.

Now I'm not reviewing to get my name/site in books. But at the same time I'm not going to lie - having a publisher consider my opinion being respectable or well written enough to put in/on the book itself would make my day.

Well, I was surprised to find out from twitter this morning that day was today. Apparently, my review of Moxyland was quoted within the new US edition from Angry Robot. I'm going to have to buy a print edition (even though I already own two copies) just to have a physical memento from the blog.

A brilliant debut that paints a harsh but strangely realistic portrait of tomorrow with a grace rarely seen in comparable works. Make no mistake; Moxyland is a work of art.

If you go back and read the review itself, the context is a little bit more clear. Those two sentences are actually the first and last lines of the review so it's no surprise if they seem a little bit disjointed.

Revisiting that old review also makes me realize that I've gotten away from the five hundred word limit that I originally imposed for the sake of readability. I'm going to have to resharpen my editorial eye.

Anyway, my apologies for the contentless post but I thought it was cool.

Sequel to METAtropolis Coming This Fall!


Cover Artist: Paint/WordArt

One of the key attributes of a well-developed world is the sense that there is a lot more to the story than what fits on the page. The world has a history and a future, regardless of what substory the author actually writes. Or authors, in the case of shared world anthologies, which occassionally spring into existence when you put too many authors in a room together. But when you create a world that begs for further exploration, that further exploration is more often than not an inevitable conclusion.

So when I saw that the authors behind METAtropolis were reuniting for more stories, part of me wasn't exactly overwhelmed with surprise. But the other part of me was excited, mostly because the original anthology a spectacular example of dystopian SF from a crack force of talented newcomers. The anthology focused several new cities in a future America that was different than our own while retaining the roots that grounded it to today's reality.



Tobias Buckell, contributor to both METAtropolis and it's sequel, broke the news on his blog today.
I’m here to announce that a novella of mine, called Byways, will be in the sequel to METAtropolis, called METAtropolis: Cascadia.
METAtropolis was an audio project by Audible.com that you could purchase from Audible or iTunes featuring a shared world glimpse at the future of cities from an awesome cast of authors, each with their own take.

METAtropolis: Cascadia moves the geographical focus to the Pacific Northwest. Jay Lake took on editing and leading the concept for this sequel, and the launch date for it is November 16th.
Buckell goes on to provide the table of contents:
  • THE BULL DANCERS by Jay Lake
  • WATER TO WINE by Mary Robinette Kowal
  • BYWAYS by Tobias S. Buckell
  • CONFESSOR by Elizabeth Bear
  • DEODAND by Karl Schroeder
  • A SYMMETRY OF SERPENTS AND DOVES by Ken Scholes
As well as the blurb for Byways, his personal contribution.
The Pacific Northwest has been transformed — politically, economically, and ecologically — into the new reality of Cascadia. Conspiracies and secrets threaten the tenuous threads of society. The End of Days seems nearer than ever. And the legend of the mysterious Tygre Tygre looms large.
I'll see what I can do to get blurbs from some of the other authors. Now I'm disappointed that John Scalzi (one of my favorite authors) dropped out of the book after contributing to and editing the original. At the same time it's hard to be disappointed with the addition of Ken Scholes and Mary Robinette Kowal. Kowal and Scholes are both Authors Worth Watching in my opinion and they're proven time and time again they know their short fiction.

I have to wonder if the sales figures for dystopian SF are inversely proportional to the state of the economy (which is increasingly dystopian itself). But if you are going to invest some of your hard earned money in a book this fall, METAtropolis: Cascadia is a pretty safe investment.

As Buckell, mentions the Audible.com project launch is right around the corner on Novermber 16th with print editions likely to follow.

Oct 5, 2010

eBook eConomics: Alternate Approaches



Ignoring minor variations, the publishing model for popular fiction has been relatively stagnant for decades. A book comes out in hardcover at a price point of $20-30. About 9 months to a year later, that same book is reissued in paperback at a lowered price around $5-$10. Sometimes the hardcover is replaced by a TPB, sometimes the paperback is. Over the years, the cost of manufacturing and the slow burn of inflation has pushed the prices ever upward. But at it's core, the model remained the same. Hardcover than paperback. Book after book.

And then comes along the concept of the eBook. Immediate. Disposable. Low cost. Simple distribution. Infinite print run. Zero shelf space. Aside from the whole story thing, it's basically everything a physical book isn't.

So why do publishers insist on pricing it like it is?

The debate over the eBook price point rages on and on. Publisher vs. retailer vs. author vs. consumer. But it always seems to gravitate between a hardcover price point ($15-25) or a paperback one ($5-$15) give or take some form of DRM. Why do publishers insist on keeping things stagnant when so much around them is changing? Where are the alternate approaches?

More importantly, where are the game changers?

Over the next few weeks, I'm going to offer a few very simple alternate ideas.  They'll be high level thought experiments intended to inspire a little bit of discussion. They probably won't be feasible for one if not several reasons but who knows, maybe they will spark someone to try something different.

Oct 3, 2010

YetiStomper Picks for October


Plenty of literary treats this month... I wonder if people would get mad if I handed out books for Halloween.


The Bookman - Lavie Tidhar

The Bookman, Book 1 - Angry Robot continues their plans for global domination with The Bookman, a steampunk novel that is pretty far out there, even for steampunk titles. Tidhar is a brilliant up and comer and with the elements he has to work with (giant lizards, robots, airships, pirates) it's no suprise that this story was well recieved in UK circles earlier this year. (September 28 from Angry Robot)

Behemoth - Scott Westerfeld

Leviathan Trilogy, Book 2 - Leviathan (my review) was a fantastic novel for genre fans of any age, showcasing an alternate version of World War I fought between two bizarrely fascinating factions. My own real complaint was that it ended too soon. The last we read, Deryn and Aleksander were set to deliver some precious cargo to Constantinople so it will be very interesting to see where things go from here. Throw in Keith Thompson's absolutely amazing illustrations and Simon Pulse has another sure winner on their hands. (October 5 from Simon Pulse)

The Half Made World - Felix Gilman

Stand Alone Dystopian Fantasy - High-concept dystopian fiction from another fresh face. Gilman's early work has garnered a lot of praise and from the sound of it, this is his break out novel. In addition to praise for the imaginative world and deep realistic characters, I've seen specific comparisons to Cormac McCarthy (The Road) and Ursula K. Le Guin (The Dispossessed). This is one to check out. (October 12 from Tor)

I Shall Wear Midnight - Terry Pratchett

Discworld (Tiffany Aching), Book 38 (4) - Unbelievably, this is the 38th entry in Terry Pratchett's Discworld series and specifically the 4th Young Adult novel detailing the exploits of young witch Tiffany Aching. I'd be lying if I've said I've read every Discworld novel but evey one I have read has been full of sharp satire as humorous as it is insightful. (September 28 from HarperCollins)

Surface Detail - Iain M. Banks

The Culture Novels, Book 9 - Do I really need to say anything? Iain M. Banks is back with another Culture novel. This entry focuses on a murdered sex slave reincarnated to avenge her own death and the Culture as they wage war on death itself. It's fast paced, intelligent space opera like only Banks can create. (October 28 from Orbit)

The Wolf Age - James Enge

Morlock the Maker, Book 3 - Morlock Ambrosius returns! Enge writes fantasy with a unique blend of horror and humor that tends to divide readers. In The Wolf Age, Enge focuses his signature style on Wuruyaaria. But how will Morlock navigate the bloody political landscape to achieve the true goal behind his visit to the city of Werewolves? (October 5 from Pyr)

All Clear - Connie Willis

Blackout Duology, Book 2 - Connie Willis originally envisioned Blackout as a single novel set in the same universe as The Doomsday Book where historical research is done by "unobtrusively" time-traveling into the past. What can go wrong? However, upon writing the intended story Willis discovered it was going to end up being physically unpublishable. As a result, Blackout was split into two volumes. All Clear is the second half of the story begun in Blackout in which time historians traveled back to World War II era England and managed to get stuck. (October 5 from Spectra)

Diving Mimes, Weeping Czars, and Other Unusual Encounters - Ken Scholes

Short Story Collection - In a industry where novels are everything, short fiction often falls to the wayside. Ken Scholes is mostly known for his Psalms of Isaak series but he also maintains a strong portfolio of excellent shorts. Diving Mimes, Weeping Czars, and Other Unusual Suspects is the 2nd short story collection from Scholes and contains 17 stories, including a pair set in the Psalms of Isaak universe. If you are a completist like me, or just happen to like quality short ficion, definitely give Mimes and Czars a chance. Plus, Mimes! and Czars! (October 19 from Fairwood Press)

King Maker - Maurice Broaddus

The Knights of Breton Court, Book 1 - Urban Fantasy rarely gets more literal than this. Set in Indianapolis, King Maker is the first book in a modern day retelling of Arthurian Legend with gang members instead of knights wielding handguns in addition to mythic swords. This fresh take on King Arthur has been out in the UK for a number of months and is finally hitting American bookshelves. (September 28 from Angry Robot)

The Dragon's Apprentice - James A. Owen

Chronicles of the Imaginarium Geographica, Book 5 - If you aren't up to date on the Imaginarium Geographica, you should be. It's a YA fantasy series intentionally layered to be read by multiple age groups. Kids will gravitate to the fantastic adventures Owen writes while adults will appreciate the meta-level literary references he weaves into his work. If you are looking for something to read to your kids that will entertain you as much as them (and possibly even get them to read a classic or two), try this series. Owen is five books into the seven book series which should keep your kids (and yourself) reading for quite some time. (October 19 from Simon & Schuster)

The Company Man - Robert Jackson Bennett

Stand Alone Alternate History / Steampunk - Earlier I mentioned that King Maker was making its US debut despite being available in the UK for months. Well The Company Man is another of those UK only releases. US fans will have to wait until next April to see Robert Jackson Bennett's sophomore effort after the excellent Mr. Shivers. The Company Man focuses on some abnormal occurences in a 1920s alternate America. When eleven union workers are discovered dead on a subway car, it appears all is not right within America's largest corporation. (October 7 from Orbit)

The Cardinal's Blades - Pierre Pevel

The Cardinal's Blades, Book 1 - Pierre Pevel is a well-known, award-winning French author but his works have yet to be translated into English. Until now. Pyr is finally bringing The Cardinal's Blades to American audiences. A historical fantasy set in seventeenth century France, The Cardinal's Blades focuses on a covert group of the same name focused on protecting France's interests in an alternate Europe where dragons are a part of everyday life. (October 5 from Pyr)

Passion Play - Beth Bernobich

The Erythandra Series, Book 1 - A sure contender for debut of the year, Passion Play is Renaissance fantasy from a rising genre star. So far, the biggest complaint I've seen is that riveted readers will have to wait until Book 2 for more. There's romance, intrigue, sex, magic, violence - basically everything you could want in a fantasy series. Be forewarned, Passion Play does contain some sexual violence. (October 12 from Tor)

Kill the Dead - Richard Kadrey

Sandman Slim, Book 2 - For being the home to Halloween, October sure is short on Urban Fantasy. The only real contender is Kill the Dead, the 2nd entry in the Sandman Slim sequence. James Stark fought his way out of hell to avenge his girlfriend's death in Book 1. Now he's playing bodyguard for the devil himself. What could go wrong? Kadrey writes noir fiction with a darker edge than most Urban Fantasy authors. Don't expect Twilight. Expect something worth reading. (October 5 from Eos)

YetiStomper Pick Of The Month: This one is like picking Snickers or Reese's on your neighbor's doorstep. You've got a caramel covered stand-alone in Felix Gilman's promising The Half Made World but Scott Westerfield's first Leviathan book was a delicious blend of literary chocolate and visual peanut butter. There's no indication Behemoth will be any different. Why not just take both? Both Behemoth and The Half Made World are my YetiStomper Picks of the Month.

YetiStomper Debut Of The Month: While I haven't read it yet, I've been hearing a lot of positive buzz around Beth Bernobich's Passion Play. I've yet to read it (it's on the top of a very deep pile) but I've read plenty of her short stuff as part of my Authors Worth Watching campaign. She's the real deal and her blend of fantasy is traditional world building with more than a pinch of spice. If you are a looking for a new voice, Passion Play is the book for you.

YetiStomper Cover Of The Month: If Behemoth's cover was anything like Leviathan's it had the potential to walk away with this category. Unfortunately, they dropped the ball big time so the door is wide open for a new champion. The Wolf's Age is a well-executed take on a fantasy cover. The noir atmosphere comes through the deep blues and shadowy character on The Company Man. However, the clear winner is Richard Kadrey's Kill the Dead. I absolutely love the colors and the way they are bright but gloomy at the same time. The picture just oozes atmosphere and it conveys a sense of foreboding that is hard to ignore. The scene plays out in my mind as a quiet evening in some generic industrial park. The silence is broken by a single gunshot, throwing birds into the air like buckshot. Cool stuff for sure. And the Worst? I know Fairwood Press is a small press but the cover to Diving Mimes, Weeping Czars is almost too bad to be unintentional. It's like photoshop and Roger Corman had a baby. Which one do you like most/least?

Anyway, as always, if you are interested in more details regarding any of the above books, just click on through the Amazon links. I'm more interested in telling you why I recommended them rather than simply what the books are about. Let me know if there is anything I may have missed in the comments.

You can view previous installments of YetiStomper Picks here.

Sep 30, 2010

Yeti Review: The Alchemist - Paolo Bacigalupi / The Executioness - Tobias Buckell


In A Few Words: The Alchemist and The Executioness showcase two rising stars in the the genre but aren't completely successful in fully realizing the inherent potential in their shared fantasy world.

Pros:
1) Fast, fun stories that work both in print and audio formats
2) The Alchemist is a fantasy version of pitch perfect Bacigalupian exposition
3) Bramble ravaged world feels real as the vegetative threat influences the entire culture

Cons:
1) The worldbuilding away from Lesser Khaim is underdeveloped
2) Buckell attempts to put too much story into The Executioness, resulting in pacing problems

The Review: Fantasy is a genre that lives and dies by magic. It's what unifies a thousand different worlds and yet makes each one distinct. Each author imbues their world with a unique approach, relying on the reader’s sense of wonder to make their words come to life. In some stories, magic is re-entering a world that had all but forgotten it. In others, powers relied on for far too long are beginning to wane. In the shared universe constructed by Paolo Bacigalupi and Tobias Buckell, magic not only defines the world, it attempts to destroy it. It’s a world where magic comes at a terrible price, even if it doesn’t earn you an encounter with the executioner’s axe. The world of The Alchemist and The Executioness is slowly being consumed by a poisonous bramble which thrives on magic, encroaching ever closer with every whispered word and forbidden act.

It may be difficult to sell coma-inducing vegetative growth as a legitimate threat but it’s hard to deny that the two stories are their strongest when firmly entangled in thorns and vines. You can’t write paired novellas (or good ones, anyway) without fleshing out the world in advance. In the case of The Alchemist and The Executioness, the entire world is structured around the bramble, the culture that created it, and its effect on the peoples that resist it. It’s got depth but not necessarily breadth. As a result, when the stories leave the bramble behind, they border on becoming generic fantasy.

Luckily, Bacigalupi’s offering rarely strays far from the heart of the story, detailing the exploits of Jeoz the alchemist as he attempts to engineer a device capable of eliminating the resilient bramble. The intrigue caused by the possibility of this “balanthast” is somewhat predictable but the way that Bacigalupi develops the characters and their collective culture more than make up for the simple story. The interactions between Jeoz and his daughter are genuinely heartfelt and as the story progresses it’s easy to become drawn in.

Bacigalupi’s bread and butter has always been environmental fiction, and it doesn’t take a literary scholar to see the similarities between this imagined world and ours. With the ever encroaching bramble, humanity faces a slow death of their own creation while anyone capable of substantive change selfishly ignores potential solutions for personal gains. While the global warming analogs are hard to ignore, they are never heavy handed. This may be his first foray into fantasy but with it he proves that his trademark style transcends genre. Bacigalupi’s flawless execution of show-not-tell worldbuilding is what earned him the Nebula and Hugo awards. The same skills are present here even if they aren’t quite as ambitiously applied as in The Windup Girl.

The Executionness has a harder time keeping the story in the deep end of the world. The story begins promisingly as a middle-aged woman is called to do her dying father’s work. Tana reluctantly joins the ranks of the magister’s executioners as the only executioness - a title that sticks with her despite the tumultuous events that change everything else. Before long, Tana is off and running on a quest of vengeance. The problem is that Buckell attempts a novel’s worth of characterization and exploration but only has a quarter of the pages to deliver it. To compensate, he skimps on critical development, resulting in a strangely paced story that feels rushed on more than one occasion. The piecemeal presentation of the final two acts often resorts to what are essentially “training montages” and the scenes in which the novice quickly becomes a master are only missing the bad 80s soundtrack.

This is frustrating because Tobias Buckell has crafted a story worth telling. The middle aged female protagonist is appealing and unique, the villains are more than just cardboard blackhats, and way the story ultimately plays out is memorable. Tana travels most of the continent on her quest for revenge, abandoning the intricate city of Khaim – the same setting that serves as the foundation to Bacigalupi’s tighter, more intimate tale. On said journey, she encounters a variety of interesting factions only tangentially related to the bramble. Because they lack the shared infrastructure of Khaim that links the two novellas, they require additional exposition. Sadly though, there isn’t any room for much more than moving from one set piece to the next. Buckell just lacks the page count/play time necessary to fully develop the elements he has introduced.

Ultimately, the combination of new characters, new locations, new cultures, and an aggressive plot is simply too much development to juggle in a novella of this length. None are intrinsically problematic but sometimes it’s necessary to cut scope in order to deliver higher quality. Even if increasing the word count wouldn’t have made the already 5+ hour audiobook unwieldy, it would still have the negative result of either inflating the word count of the well-composed The Alchemist or unbalancing the two stories.

As of this review, I’ve both listened to the audiobooks and read the advance print copies. I’m reluctant to steer readers one way or the other or suggest a definitive reading order. On one hand, the stories were original meant to be read aloud and the dialogue and sentence structure clearly reflect this. On the other hand, if you are anything like me, you will pick up on a lot more of the subtle details that create a cohesive world if you have the ability to easily re-read a line or two. Not to mention the promised interior illustrations from Subterranean Press.

While the stories are quick and entertaining, it’s difficult to label them complete successes or failures. The Executionness explores an atypical heroine as she travels across a diverse landscape dripping with potential for future narrative exploration. It also gets caught over-achieving at times, trying to do too much with too few words. The Alchemist is less ambitious but the simple tale is brilliantly executed and much more suited to the length and format. Neither would be the same without the other and together they are more than the sum of their parts. When the linked creation actually gets the detailed development it deserves, the magic is plain to see. The key to future entries into this shared world will be maximizing that magic while eliminating the bramble.

Sep 27, 2010

Covering Covers: The Alchemist and The Executioness [Print Editions!]


Do you want to experience Paolo Bacigalupi's and Tobias Buckell's shared world novellas but only consume media in a format you can afford to throw at the wall?

Well good news! Subterranean Press announced today that they've secured the rights to print The Alchemist and The Executioness in all the gravity demanding glory inherent in a pair of signed hardcovers.

Cover Artist: J. K. Drummond

Now I hoped that Subterranean would put them together in a back to back edition like those old pulp SF doubles but with covers this good I can't complain. (Even if both characters look younger and healthier than their stories would actually indicate). Even better, the blurb on Subterranean's website also promises interior illustrations, something I consider to be severely underrated.

I've actually known that they were publishing print editions ever since I received some unexpected ARCs earlier this summer. That being the case, I've already read AND listened to these novellas and a review is just around the corner. If you want to know more about the story, check out the original story about the Audible.com exclusive audiobook.

The Alchemist and The Executioness will be out from Subterranean Press in January of 2011 from these two:

I had to show this one more time...

Sep 25, 2010

Books Received: Early September


Per usual, Early September saw the reading pile increase substantially. Click on through for the detailed list. 

Sep 21, 2010

Unicorn! Pegasus! Kitten!


Fantasy pits a lot of strange creatures against each other. Vampires vs. Werewolves. Orcs vs. Elves. Dragons vs. Humans. Hobbits vs. Rings. And of course, the all-time classic match up:

Unicorn Pegasus Kittens vs. Auto-Immune Diseases.

What is a Unicorn Pegasus Kitten you may ask? The answer:

Cover Art by Jeff Zugale

One of my favorite things about the members of the genre community is the way they band together for a cause. The latest example of this is Clash of the Geeks, an anthology of "fanfic" inspired by the piece of Epic Imagery above.  Besides being awesome, Clash of the Geeks is also a charitable project aimed at raising money for Michigan/Indiana affiliate of the Lupus Alliance of America. Lupus is an autoimmune disease which afflicts approximately five million people world wide, including the wife of Bill Schafer, editor of Subterranean Press and co-conspirator in this project. Other co-conspirators include fantasy wunderkind Patrick Rothfuss, the tragically underread Rachel Swirsky, and a couple of newcomers who won Scalzi's original fanfic contest. Here's the short description:
Wil Wheaton, John Scalzi and Subterranean Press are proud to announce the publication of Clash of the Geeks, a special and fantastical electronic chapbook featuring stories by Wheaton, Scalzi, New York Times bestseller Patrick Rothfuss, Norton Award winner and Hugo Best Novel nominee Catherynne M. Valente, Hugo and Nebula Award nominee Rachel Swirsky and others, for the benefit of the Michigan/Indiana affiliate of the Lupus Alliance of America. The chapbook is free to download, but voluntary payment is strongly encouraged, via Paypal or by tax-deductible donation forms, both linked to later in this entry. All proceeds from this chapbook will go to the Michigan/Indiana affiliate of the Lupus Alliance of America. Please enjoy the stories, link your friends to this page — and give!
You can read the long version at http://unicornpegasuskitten.com/. I encourage everyone to check it out, download, and donate. It's good fiction for a good cause.

Sep 16, 2010

The Brandon Sanderson Interview: A StompingMad YetiHatter Collaboration - Part 1 of 2


Anyone who has finished The Way of Kings knows that when you get to the end of the book, you want more. More story. More words. More information. More anything. Ideally, you want the next book, but as that isn't set to hit shelves anytime soon, you will have to settle for what you can get.


I assumed that "what I could get" would be a whole lot of nothing until Michael (of Mad Hatter's Bookshelf and Book Review) offered me the opportunity to co-interview Sanderson (and to glean a few more tantalizing morsels about The Stormlight Archives in the process.)

Now, I'm not sure if together we would be called a StompingMad YetiHatter or a Mad Yeti Hat Stomper. What I do know is that we ended up with a pretty damn good interview. Sanderson graciously answered all of our questions. Except for the fact that his version of "answered" is like his version of "novel," resulting in a lengthy interview with lots of juicy details. Sanderson talks about his new novel, The Way of Kings, his work completing Robert Jordan's Wheel of Time, and the future for his new flagship series, The Stormlight Archives. Sanderson also touches on the mystery of Asmodean...

It's a little bit lengthy than I like to post on the main page so you'll have to click through to read the whole thing.

Read Part 1 of the interview after the jump.
Read Part 2 of the interview over on Mad Hatter.


Sep 15, 2010

You Can't Always Get What You Want


And if you try sometime, you ... still won't get what you want.

As productive and successful as your favorite word machine may be, they most likely are not literally a word machine (except for Brandon Sanderson, he bleeds oil, not sure what that is about). For the most part, authors are artistic creatures subject to all the risks of the creative life - project apathy, writer's block, the need to consume calories with the intention of continued existence. For whatever reason, authors decide to move on to other projects. It happens.


But in the age of internet immediacy, it's not a surprise to learn about a novel in its infancy, long before the first draft is finished and sometimes before a contract is even signed. If you hang around on Twitter enough, you might also witness a project's conception from an orgy of 140-character ideas. Writing a 250,000 word novel doesn't happen overnight, blog updates are expected on a semi-frequent basis. What do you think the authors are going to end up talking about?

As such, it's possible and even probable that you will get attached to the promise of a story long before you ever see a word of it. It doesn't help that the people who are reading about these prospective projects are also the people who admire an author's work enough to rifle through the garbage of the internet for mere scraps of news. What's the chance that those people (ok..ok...us people) get excited for a new book before the actually buy it?

But as the adage goes (sort of), not every egg does a chicken hatch. Novels don't sell, contracts fall through, publishers drop series, half finished manuscripts are shelved in favor of the new hot thing.


Compounding this problem is the fact that the situations that put a project into a literary limbo are often not of the variety that inspire detailed updates. As such, these projects can disappear quicker than Sprinkles the Hamster after your family went to Disney World, leaving rabid fanchildren with little to no explanation as to why they will never get to read the book that got them so excited. Even worse, sometimes authors pour salt on the wound by suggesting that they will take the book of the shelf "in a year or two" or "after they finish some other work."

Now, I am by no means arguing that the authors owe their readers every project they start or propose. Or that they should be required to finish something that they have no more interest in. Or that they even owe us an explanation of a situation that is often complicated, sometimes painful, or unsurprisingly both.

Consider this a lamentation for the loss of the potential project. That notion of a novel  that never amounted to anything more more than a few words buried in the archived blogposts of your favorite author.


For me, the most painful of these abandoned books is undoubtedly John Scalzi's The High Castle. It's predecessor, The Android's Dream was published by Tor in 2006 and somehow ended up flying under most radars. Maybe it was dismissed as an aside from Scalzi's flagship Old Man's War series, maybe the fantastic cover art was too unique to connect with that part of the reader's brain that loves spaceships, swords, and tramp stamps - who knows? It was science fiction in the vein of Douglas Adams, the kind that is simultaneously hilarious and unputdownable. (Unputdownable is a word in the way that pineapple isn't). And the best part? There was going to be more!

Until there wasn't.

I've been following Whatever for years. John still mentions The Novel That Could Have Been from time to time. It just reminds me of what could have been. Sadly, there is no more concrete information than there was three or four years ago. Maybe one of these times, "next year" will actually see the book committed to paper.

For all those readers who got excited about a project that didn't ever materialize, here's hoping.

Sep 13, 2010

UPDATED - Covering Covers: King's Justice - Maurice Broaddus


Cover Artist: Steve Stone

Update: I've redacted some of my comments but left them here because I feel selective editting destroys credibility. So you can still read my nonsense, if you so desire.

This is just another example of Angry Robot being Internet savvy and blogger friendly. They reached out to me to clear up some confusion about the situation in a very polite matter despite the light my poorly researched post portrayed them in. The model in question was always dark skinned and Angry Robot made sure that the author thought the cover was representative of book, going so far as to recommission a new cover when the first cover didn't live up to Broaddus's expectations. At no point was "whitewashing" suggested or pursued.

In my defense, I did think that they switched the model upon first glance and there was possible RaceFail afoot. However, that doesn't excuse my misrepresentation of the facts and the overly inflammatory nature of the original post. My apologies to Angry Robot and Mr. Broaddus.   

Now to be fair, I don't know if the character on the cover of King's Justice is the same as King Maker. He's got a similar sword/gun combo, but without having read King's Justice, I can't be sure. I'm assuming it is. But if it is, King looks somewhat lighter skinned than he did on the cover of King Maker. Maybe it's not King, maybe it's the angle, maybe it's the greenish tint to the cover, maybe it's just me, but I see a noticeable difference between the covers. And it's not just me, several other people I asked agreed.

Update: It is the same character, and in fact the same model. It appears that the greenish tint to the cover made me misinterpret things.


I don't want to be the blogger who cried whitewashing but this does appear to be a text book case in which a publisher portrays a darker skinned character with one of significantly lighter complexion on the cover.

Update: Damn it. I am the blogger who cried whitewashing... Textbook case of BlogFail on my part in which a blogger makes assumptions and makes an ass of himself. As an aside, contrary to popular vernacular, when you assume you just make make an ass out of yourself.

Some further investigation on Maurice's blog reveals an interesting post in which not only raises the topic of RaceFail, but cites the King's Justice cover as an example of RaceWin!

"This is the cover art for The Knights of Breton Court Book Two: King’s Justice by the incredible Steve Stone (the model’s name is Lloyd Nwagboso*)"

"Now would be the time when I would point out that not all publishers buy into the cycle of reinforcing racist ideas. I would point to Angry Robot’s cover for South African writer Lauren Beukes‘ second novel, Zoo City (art by John Picacio). Or my own novel from them, Knights of Breton Court: Kingmaker. Instead, I will point to the just released art for my second novel, Knights of Breton Court: King’s Justice one more time because it’s just so pretty:"


"We’ll soon find out whether or not black people on a cover will hurt sales. Nevertheless, having this conversation won’t hurt. Apparently it’s long overdue to happen."


"*Lloyd was actually the second model chosen. In an interesting parallel to the Bloomsbury debacle, Angry Robot asked me what I thought of the first model the artist was leaning towards. I said that I thought he was too light as I had imagined King as much darker. The folks at Angry Robot immediately, and I mean, IMMEDIATELY agreed and changed course. You can’t ask much more than that from your publishers."
So if I read that correctly (UPDATE - I read that pretty poorly indeed. ReadingComprehensionFail), Angry Robot suggested a lighter skinned model, Broaddus politely said he felt that it was not representative of the character and they found someone else that fit Broaddus's mind's eye.

Here is a normal photograph of Lloyd Nwagboso

 
So he is definitely not a Caucasian model, as was the case in many of the past RaceFails (Liar and Magic Under Glass). At the same time, I can't help but wonder if the image was edited during the graphic design phase to give the character a lighter complexion. It appears that Angry Robot definitely wanted to go with a lighter model from the beginning, and would have, if not for Broaddus's polite objection. Now if the author is fine with the cover, than there really shouldn't be any issue. But that still doesn't explain away my gut reaction upon seeing it for the first time. - "Holy Crap, they whitewashed the cover!"

King's Justice: The Knights of Breton Court: Book 2 will be out in February. We will see if it gets a new cover before then.

What do you think? Am I just seeing things?

Update: I am.

Sep 9, 2010

I For One Welcome Our Angry Robot Overlords



Angry Robot is the newest kid on the publishing block. Originally born of HarperCollins UK, they made a big splash in the UK before being adopted by Osprey Publishing Group earlier this year. After a slight transition period, they've re-emerged ready to take over the world. As of September 1st, those lofty aspirations are firmly directed toward another prodigal son of the British Empire, the U.S. of A.

Now, if you happen to know anyone born after you, they are most likely more comfortable with technology and far better at it, than you were at a comparative age. Angry Robot, along side Pyr, represents the gold standard of what an internet savvy publishers should be. Not only have they embraced the blogosphere with their frequently updated blog, they've also organized one of the best virtual street teams, suitably referred to as their Robot Army. I also think every Angry Robot author is on Twitter, which is surprisingly uncommon.


But that's all just good marketing. Where Angry Robot really sets themselves apart is their willingness to embrace the digital publishing revolution. Where larger older publishers insist on price points to rival the hardcover editions and locking down their books like the newest Harry Potter manuscript, Angry Robot's eBook approach embraces 3 key principles:
  • DRM-Free
  • Sensibly-priced
  • No territory restrictions
And that's not Terry Goodkind "sensibly-priced" at $39.12, that's $3.99 for a Kindle edition, half that of the physical MMPB. $3.99 is about the same price as a substandard fast food meal and is definitely within the impulse range that is critical for less established authors. I don't think a text-only eBooks should ever go above $5.00 and Angry Robot seems to agree. And when you buy their book, you can keep their book none of that DRM nonsense that locks a book into the life of a single device.


Regarding the catalogue itself, I'm not going to lie to you and pretend that every book in the Angry Robot batting order is a home run hitter. I like Angry Robot and their approach to publishing but they don't pay me anything.

On the other hand, I have read enough of the Angry Robot books have no qualms about saying that, while every book might not be perfect for you, you will absolutely love at least a few books in their eclectic catalog. And those aforementioned home run hitters do exist, specifically in Lauren Beukes' Moxyland, a veritable Jackson Pollack of ideas and Kaaron Warren's profoundly disturbing portrait of a sociopath in Slights. Out of the several Angry Robot books I've read so far, those two were the most impressive.

If you are interested in finding some quality fiction at a decent price from a publisher worth supporting, here are the main titles leading the Robot Army's charge. 
  
September (Available Now)
Kell's Legend - Andy Remic
Moxyland - Lauren Beukes - My Review
Sixty-One Nails - Mike Shevdon - Review Planned
Slights - Kaaron Warren - Review Forthcoming
Triumff: Her Majesty's Hero - Dan Abnett
Winter Song - Colin Harvey

October (Available September 28th)
Angel of Death - J Robert King - Review Planned
The Bookman - Lavie Tidhar - Review Forthcoming
Crown of the Blood - Gav Thorpe
Edge by Thomas Blackthorne
King Maker: The Knights of Breton Court - Maurice Broaddus - Review Forthcoming
Nekropolis - Tim Waggoner - My Review

November (Available October 26th)
Book of Secrets - Chris Roberson
City of Dreams & Nightmare - Ian Whates
Damage Time - Colin Harvey
Road to Bedlam - Mike Shevdon
Servant of the Underworld - Aliette de Bodard - Review Forthcoming
Soul Stealers - Andy Remic

Sep 8, 2010

Reader's Block


I apologize for the lack of updates around these parts. The day job is rapidly approaching project go-live and free hours are hard to come by. Things should ease up a bit after this weekend.

At the same time, I would be lying if I said that all was right in the world of this Abominable Blogger. I seem to have hit a bit of a reader's block of sorts. After finishing the highly enjoyable White Knight, I've had a hard time getting into my next book. I've sampled several but I haven't been able to get past the first few chapters and into the meat of the text. I fear my normally miniscule attention span may be further reduced by the veritable plethora of activities consuming my life at the moment.


While I haven't done any heavy reading in the past week or so, I have been burning through some of Bill Willingham's excellent Fables trade paperbacks and several short stories. I've also been working on sekrit stuff in the background, mostly interviews and the like.So I'm not being a total waste of literary consumption. But as I have way to many books on my reading list, I should really get back to the pile sooner rather than later.

Any advice for getting out from under an avalanche of books?

Sep 1, 2010

YetiStomper Picks for September


September has at least one book for everyone or in my case too many books for me. There goes any hope I had of catching up on the reading list.


Dreadnought - Cherie Priest

Clockwork Century, Book 3. Priest's Boneshaker was the surprise hit of 2009 and she returns to the world for a third tale after the limited edition Subterranean Press novella, Clementine, completely sold out earlier this year. Focused on a different character within the same shared world, Dreadnought explores more of the steampunk setting that made Boneshaker such a hit. Originally, I thought Steampunk was a bit of a stillborn subgenre that was talked about more than it was actually published but Priest is showing the the Steampunk style is very much clanking along. (September 28th from Tor)

Tome of the Undergates (The Aeons' Gate, Book 1) - Sam Sykes

The Aeons' Gate, Book 1. The debut novel from Sam Sykes made a sizeable splash across the pond earlier this year and Pyr is helping us poor ignored Americans catch up on the newest names in fantasy. Anyone who follows Sykes on Twitter or his blog knows that he's irreverent, hilarious, and endlessly entertaining. [He may or may not comment here if I bait him enough]. TSykes imbues his fantasy adventure with that same wit, creating a debut novel that should entertain any genre fan. (September 7th from Pyr)

Antiphon - Ken Scholes

The Psalms of Isaak, Book 3. Although I'm not happy about the change in cover direction, there is no denying that The Psalms of Isaak is one of the best fantasy series running today. Rather than settling to be just another doorstop fantasy series, The Psalms of Isaak gives you a fantasy fix in a fast paced package. The series mixes science fiction and fantasy elements in a far future Earth that is for all intensive purposes unrecognizable from our own. Antiphon is the middle book in a planned five book series and should be indicative of the direction of the series as a whole. (September 14th from Tor)

An Artificial Night - Seanan McGuire

October Daye Novels, Book 3. In a publishing landscape where there are a million new Urban Fantasy books trying to capitalize on the success of Jim Butcher and Charlaine Harris, the one name I've heard again and again is Seanan McGuire. McGuire returns to the world of her half-fae heroine for a third adventure dealing with abducted children. (September 7th from DAW)

Twelve - Jasper Kent

The Danilov Quintet, Book 1.. Where Naomi Novik's Temeraire novels insert dragons into Napoleonic times, Jasper Kent returns to the same historical period with a vampiric twist and from a Russian perspective. Pyr continues its trend of importing well reviewed fiction from foreign markets with a blend of intense action and historical detail. Book Two, Thirteen Years Later is out in UK now and the series shows no signs of slowing down. (September 7th from Pyr)

The Strange Affair of Spring Heeled Jack - Mark Hodder

Burton & Swinburne, Book 1. More Steampunk fun from Pyr. Hodder's new series puts real historical figures in fictitious but plausible situations. Assuming of course that time-travelers, werewolves, and demons are considered plausible in an alternate history which flawlessly integrates steampunk elements into a Victorian setting. (September 7th from Pyr)

Zero History - William Gibson

The Stormlight Archives, Book 1. In the third book of a loosely connected trilogy, Hollis Henry finds herself once again employed by the mysterious Bigend. Gibson is one of the most literary SF writers out there today. Even twenty plus years after the groundbreaking Neuromancer kick started the Cyberpunk genre, he is still providing commentary on the way that technology will shape our future. (September 7th from Putnam)

Monsters of Men - Patrick Ness

Chaos Walking, Book 3. August saw The Hunger Games trilogy come to a close. September sees the end to the Chaos Walking Trilogy, another excellent YA quasi-SF series that transcends age groups. Focusing on an apocalyptic world where women are all but extinct and men can read minds, Ness has constructed a trilogy that works on multiple levels. Early reviews label this as a strong finish but warn that newcomers may want to start with The Knife of Never Letting Go.  (September 28th from Candlewick)

Out of the Dark - David Weber

Untitled SF Vampire Series, Book 1. Humanity is all but powerless against a race of conquering aliens. The impending extinction of the human race is met with resistance from a surprising source - vampires who believe humanity is their prey alone. This is probably the most interesting and original premise for a story involving vampires, I've heard in recent years. Weber is a proven genre master and he writes books like Brett Favre retires so the series should move along at a quick pace. (September 28th from Tor)

The Fall - Guillermo del Toro and Chuck Hogan

Strain Trilogy, Book 2. Guillermo del Toro and Chuck Hogan's continue their quest to reclaim the vampire as vicious bloodsucking monsters worth fearing with the 2nd book in The Strain trilogy. After the huge debut of The Strain last year, this series fell off the map somewhat but I expect to see a return to prominence with the second book and the planned movie treatment.   (September 21st from William Morrow)

Salute the Dark - Adrian Tchaikovsky

Shadows of the Apt, Book 4. Tchaikovsky's insect based fantasy series is as fun as Tchiakovsky is hard to spell. Fortunately, Salute the Dark continues the strong work Tchaikovsky has published so far, avoiding the typical stagnation that prolonged fantasy series typically experience. Unfortunately, Pyr is quickly reaching the end of Tchaikovsky's UK only backlist and soon us US fans will have to suffer the same wait as our British counterparts. (September 7th from Pyr)

Blameless - Gail Carriger

The Parasol Protectorate, Book 3. A combination of Urban Fantasy, Period Fiction, Steampunk and who knows what, Blameless is the latest entry in Carriger's well received Parasol Protectorate. Imagine if your favorite Urban Fantasy heroine lived in London a century or so ago and you'll only partially grasp the elements that Carriger successfully combines.  (September 1st from Orbit)



YetiStomper Pick Of The Month: While I have to reserve judgement until after I get through the promising Out of the Dark, I have to go with the sure thing in Cherie Priest excellent Dreadnought. You aren't going to easily find a better combination of writing and world building. Plus zombies!

YetiStomper Debut Of The Month: I don't know if Tome of the Undergates still counts due to its UK release date earlier this year, but its still worthy of debut o' the month status. Sykes has a strong voice reminscient of the excellent Joe Abercrombie and although his debut isn't perfect, it shows that he has something worth saying.

YetiStomper Cover Of The Month: And which one of these covers is your favorite? I think it comes down  to Out of the Dark and Dreadnought again. While it's pretty close, the edge has to go to Weber's latest, considering the gorgeous artwork and the way the arrangement of the text plays of the title. Bonus points go to Putnam for the atypical cover of Zero History. It is trying something different but there is something about the contrast that just feels off to me. Worst has to go to the new style for Antiphon which is abandons the stellar paintings of Lamentation and Canticle and replaces it with way too much blue

Anyway, as always, if you are interested in more details regarding any of the above books, just click on through the Amazon links. I'm more interested in telling you why I recommended them rather than simply what the books are about. Let me know if there is anything I may have missed in the comments.

You can view previous installments of YetiStomper Picks here.
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