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I think that's too much introduction for an SF author who needs none, so onto the interview itself.
SoY: If we are keeping an eye on you, what should be looking for in the near future? What have you been working on recently?
CD: Next novel: Makers, from Tor and HarperCollins UK, at the end of
October, currently syndicated on Tor.com.
Next short story collection: With A Little Help, an ambitious,
self-published open content project with several different hardcopy
editions, an audiobook and more
Presently working on For The Win, a YA novel about union organizers in
games, tentatively scheduled by Tor/HC UK for spring 2010; and a short
story, Chicken Little, for a Fred Pohl tribute anthology from Tor.
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they are obviously lying. But if we are playing along, what is the one single piece of work of yours (novel, short story, binary code, etc.) would you like them to read?
CD: Little Brother: http://craphound.com/littlebrother/download
SoY: Describe your writing style in haiku-form.*
CD: My writing
Is poorly suited
To haiku
SoY: Your most recent book, Little Brother, was primarily marketed as a YA novel. What was the hardest part of writing a YA novel? How do you respond to adult readers who dismiss YA novels as something below them?
CD: It wasn't hard in any way that is distinct from the difficulty of writing adult-oriented novels! As to adults who say it, I just throw a copy of Tom Sawyer at them, and follow it up with The Hobbit if necessary.
SoY: Little Brother, which just came out last year, has already been adapted into a play in Chicago. What did you think when you first heard about the adaptation? When you actually got to Chicago to see it, was it what you expected?
CD: I was very excited to hear that the adaptation was underway; the company has also adapted Gaiman's Starlight and I'd heard good things about them. Seeing the production was a trip, I didn't stop grinning for days.
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CD: Well, I've never done this kind of serial before, so it remains to be seen. We hope that it'll get people excited about the book for its publication.
If you mean, what are the benefits of free electronic release, I'll just quote Tim O'Reilly and say, "My problem isn't piracy, it's obscurity."
SoY: You’ve been at the forefront of the publishing industry and one of the biggest supporters of utilizing technology to deliver content. What is at the bleeding edge of the intersection of publishing and technology?
CD: Print on demand, as used by publishers and individuals, to reduce the
capital cost of experimenting with print.
SoY: What is the biggest mistake mainstream publishing is currently making in their efforts to keep up with current technology trends? I would say the ebook pricing model.
CD: No, it's DRM, especially the Kindle. It's abominable that in 2010, after the *record industry* has figured out that DRM doesn't work, alienates customers, and gives too much control to the DRM companies, publishing is still mouthing inane noises about how DRM is necessary.
CD: I'm tickled.
SoY: How do you respond to criticisms that authors with a strong internet presence (such as yourself or John Scalzi) have an unfair advantage in competing for non-juried awards?
CD: I don't. That's a silly thing to say. It's like saying Heinlein has so many fans that they all vote for him on the Hugos, which are a measure of which books fans like.
SoY: If I told you I was charging a dollar per view of this interview (I’m not), what would you say to me?
CD: I'd say that I'm doing this for free, in the ten minutes I have between 5AM and 510 when my daughter wakes up, at the expense of income-generating activity, because I understood that you were working
for free too. If you want me for commercial activity, we can talk about my word-rate and go from there.
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CD: Blogging and writing are the same thing - blogging is how I keep track of everything that will become writing some day.
SoY: Hypothetically, you get kicked off the list for being too well known. Who do you nominate in your place?
CD: I don't really follow, think about, or care about celebrity, so I can't really answer this. Nicola Tesla, he's cool.
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CD: I'd love to get another Borribles book out of De Lairabeitti, because that's the rockingest trilogy I've read.
SoY: What’s the best thing you’ve read this year?
CD: I suck at "bests" -- which is why I wrote 40,000 blog posts instead of
picking the 10 best things on the internet and stopping.
That said, Kadrey's Sandman Slim, which I review today on BB, is great.
SoY: [Obligatory pimpage] Is there anywhere online that readers can follow you and your work? [/obligatory pimpage]
CD: http://craphound.com/
http://boingboing.net/
Well that's it from Cory. I know it's a little brief but I'm sure Mr. Doctorow is quite busy juggling his tremendous content output in addition to supporting a family so I'd like to thank him again for responding at all. It's great to know that the small fish in the pond can get some time with the big sharks out there. Yet another reason why the SFF community is so incredible.
And if you haven't checked out Cory's work, go buy (or download a free copy under Creative Commons Licensing from Cory's website) Little Brother. It was one of the best novels I read last year and I'm not sure I've read a book that was as "unputdownable" since. I've also bought numerous copies as gifts for my teenage relatives and they loved it just as much as I did. Can't recommend it enough.
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