Showing posts with label State of the Genre. Show all posts
Showing posts with label State of the Genre. Show all posts

Nov 3, 2009

The Next Big Thing? The FuturePast


Vampire books need to be staked. Zombies novels are overripe and starting to smell. Even Steampunk is getting a little rusty. So what's the next big thing?



I'm seeing a subtle but growing trend of books I call the FuturePast.

I feel like this emergent genre is a natural result from the rise and fall of posthumanist science fiction in years past. While the Singularity is an interesting topic, it's intrinsic nature makes it almost impossible to predict. The Singularity assumes exponentially change until the resultant species can no longer be defined as human.



While it's fun and frightening to think about but in terms of motivations people who don't eat, don't love, and don't die are very hard to empathize with. It's also hard to come up with logical plots that could even be comprehended by our inferior minds. There's a reason why there aren't a whole lot of PostSingular novels.

But at the same time, the Singularity appears likely. At least as likely as the chances of humanity colonizing other solar systems as depicted in the latest, greatest space opera. So authors looking to write in the mid- to far-future (200+ years) have a decision to make: implausible Space Opera or cold, unrelatable PostSingularity.



But with the looming threat of resource scarcity, overpopulation, and global warming, another option has presented itself: The FuturePast. The FuturePast assumes that the rise of environmentalism fails, that the Green Revolution will be too little too late. Instead the world will experience significant but not catastrophic change. Wars will be fought for remaining resources. The current transportation paradigm will crumble without the lifeblood of oil. The population will fall as millions or billions are cut off from society and starve. But not permanently. Eventually, we will again reach a sustainable way of living and begin to pick up the pieces. We will start over again, hopefully learning from our original mistakes and making strides in different directions than before.



This FuturePast allows for authors to prognosticate into the future without straying too far from the present. It reintroduces the conflict of mere survival that is virtually gone from 21st century American life. It resets technology to 19th century standards while still allowing for exotic exceptions. It offers any number of geopolitical states resulting from a war for resources that could offer story upon story in its own right. And if you write it logically, it could even be plausible.

Along with it's sibling subgenres of EcoPunk and GreenPunk in which humanity successfully manages to avoid a technological Dark Age before the Resource War, the FuturePast is poised to be the next big movement in science fiction. People are interested in green technology; new authors will want to preach about the dangers of consumer culture and rampant ecocide and provide their own solutions; readers will want to read about the dozens of different ways the green revolution will change our lives.

Spaceflight defined the science fiction of the 50s, 60s and 70s. Computers shaped the SF of the 80s, 90s and 00s. Will the Green revolution influence the SF of tomorrow?



You can already see the seeds sprouting. There's Robert Charles Wilson's Julian Comstock, Paolo Bacigalupi's The Windup Girl and Pump Six and Other Stories, and even possibly S.M. Stirling's Novels of the Change. There's a fun new playground out there for anyone who's willing. The FuturePast is coming. Or is it already here?

Feel free to add your own examples of FuturePast SF in the comments.

Jul 15, 2009

The Next Big Thing...



Over on the Odyssey Workshop Livejournal, they've got an interview with Ginjer Buchanan. Ginjer Buchanan is the editor-in-chief of Ace and Roc, two rather prolific publishers.

The interview is short but interesting, go check it out.

I found the most interesting comment to be the following:


OW: Which subgenres do you see way too much of? Which subgenres do you not see enough of?


GB: These days, we have a deluge of Urban Fantasy. As to what we don’t see enough of—I guess I’d say military sf. It works well for us in mass market.

So Ginjer is suggesting that Urban Fantasy has reached it's saturation point. Coming from the editor of Ace and Roc thats a strong statement. Roc and Ace publish almost every genre sub-genre out there, including Urban Fantasy heavy hitters The Dresden Files (Jim Butcher) and the Nightside books (Simon R. Green), so it's fairly safe to say she's got her fingers on the pulse of genre fiction.

I would concur with the opinion that there's plenty (on the side of too much) of Urban Fantasy out there. I've got my series (the aforementioned Dresden Files and Nightside, along with Felix Castor and Joe Pitt) so my plate is just about full when it comes to Urban Fantasy. I'm sure everyone else has their series as well. While I'm sure some of the new stuff has merit, it's not going to sell as well as the established stuff.

Regarding Military SF, my plate is almost empty. John Scalzi isn't writing any books in the Old Man's War series (for the time being at least), I believe Robert Buettner's Orphan series is wrapped up, and I'm not sure whats left in Jack Campbell Lost Fleet sequence (which is published by Ace, coincidentally). Those are the Military SF series I'm reading currently and even those aren't exactly flagship titles (minus Scalzi who isn't writing that series currently). So there is room for more Military SF.

However, I wouldn't say that a Military SF Renaissance is upon us. I'm tempted to say the next big thing is Historical Fantasy / Steampunk , similar to what Stephen Hunt (The Court of the Air, The Kingdom Beyond the Waves) and George Mann (The Affinity Bridge) are doing but I don't know if the market for that is as high as that of Urban Fantasy. Urban Fantasy got a huge boost from Harry Potter and a life extension from Twilight. I don't know if there is any subgenre out there right now with a feeder system like that. We might just see a rebalancing of subgenre publishing (and hopefully no more vampires).

Can Military SF make a comeback? Will Urban Fantasy sales level off? Whats the next big subgenre?

Comments are encouraged. I'd love to hear some opinions as to what the next big thing is.
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