Showing posts with label Classics. Show all posts
Showing posts with label Classics. Show all posts

Aug 17, 2009

Fantasy 202 Syllabus

Over at A Dribble of Ink, Aidan responds to the New Yorker's somewhat lazy list of Seven Essential Fantasy Reads that you should read once you get past the introductory texts of Tolkien, Narnia, and Potter.

I've included the list below. You can visit their site for their justifications.

  1. The Dragonbone Chair, the first book in the Memory, Sorrow, and Thorn series, by Tad Williams.
  2. Anything by Guy Gavriel Kay, but particularly Tigana, The Lions of Al-Rassan, Sailing to Sarantium, and The Fionavar Tapestry (a trilogy that begins with The Summer Tree).
  3. Wizard’s First Rule, by Terry Goodkind.
  4. Assassin’s Apprentice, by Robin Hobb.
  5. The Scions of Shannara, by Terry Brooks.
  6. The Name of the Wind, by Patrick Rothfuss.
  7. Gardens of the Moon, by Steven Erikson.

Although I would consider the list to be suspect after the inclusion of Twilight in their first list of Fantasy Classics, the list isn't horrible. The inclusion of Rothfuss, Erikson, and Kay suggests that they are at least slightly knowledgable on the topic. Some people however, find the list to be very "safe" and "unoriginal" Fantasy author Mark Charon Newton (Author of Nights of Villjamur) went so far as to comment thusly:

"I said that this was unimaginative, ironically, for such an imaginative genre. I’m not saying individually the selections are bad (apart from one, and I very much like a couple) but that this smacks of nothing more than wiki research. Fantasy is a vast and diverse genre - but you wouldn’t think so from this."

Well, Aidan told Mark to post up or shut up (not in those exact words) but Mark took up the challenge and provided his own list of 7 Fantasies That You Should Read. Here's Mark's list (again visit his site for rationale)

  1. The Scar by China MiƩville
  2. Mythago Wood by Robert Holdstock
  3. The Book of the New Sun sequence by Gene Wolfe
  4. The Book Of Imaginary Beings by Jorge Luis Borges
  5. Gardens of the Moon by Steven Erikson
  6. The Fortress Of Solitude by Jonathan Lethem
  7. Invisible Cities by Italo Calvino

Now, I've heard of every book on the New Yorker's List but only 5 of the 7 titles on Mark's (unfamiliar with The Fortress of Solitude and Invisible Cities). Does that make his list better? Not necessarily. Does it inspire me to look into some books? Yes. The New Yorker's list is nothing new and easily forgotten.

But at the same time, I don't think The New Yorker article was targeting the kinds of people who write or read enough Fantasy that they write books or blogs about it. Based off their introduction, it sounds like they were trying to reach people or parents of children who enjoyed the most mainstream Fantasy and were looking for something more, not people who were looking for the most original or most spectacular in the history of the genre.

Which list do you think is better? What titles would you recommend to Potter graduates looking for more?

Jun 10, 2009

Best of the Naughties


Classic. Must-read. Essential.

These words are thrown about a lot with books and movies, particularly in SFF circles. But ask someone how to choose a classic and you’ll get more definitions than examples of bad science in Star Trek.

I think fundamentally, it comes down to the answer to the question “If I am going to grant a portion of my finite existence to SFF, which SFF books have the highest probability of being worth a fraction of my life?” Much to the chagrin of many completists like myself, you can’t read/watch/experience everything. You can certainly try. You will also most certainly fail.

Like most abstractions, it’s easy to ask the question. It’s harder to answer it. And it’s almost impossible to explain why your answer is correct.

For example, try and tell me what science fiction books written in the current decade are classics. What are the must read fantasy tomes of the past ten years? What is in the essential SFF geek library on the shelf marked 2000-2009?

Do you go by popular opinion? I would include Harry Potter in my classics but I’ll burn the library down before I put the Twilight books on my shelf. Kevin J. Anderson’s Dune books outsold Richard Morgan’s Altered Carbon, what does that say about the popular vote?

How about the award winners?

Nebula Award
2000 - Parable of the Talents
2001 - Darwin's Radio
2002 - The Quantum Rose
2003 - American Gods
2004 - The Speed of Dark
2005 - Paladin of Souls
2006 - Camouflage
2007 - Seeker
2008 - The Yiddish Policeman's Union

Hugo Award
2000 - A Deepness in the Sky
2001 - Harry Potter and the Goblet of Fire
2002 - American Gods
2003 - Hominids
2004 - Paladin of Souls
2005 - Jonathan Strange & Mr. Norrell
2006 - Spin
2007 - Rainbows End
2008 - The Yiddish Policeman's Union

American Gods. Yiddish Policeman’s Union. Spin. There is some good stuff there, certainly. Some of the winners might be classics but I doubt that 10 years from now every one of those books will be consider the best book of the year.

Outside of sales and awards, there isn’t a whole lot else to go on. Internet reviews? Blog consensus? Convention panels? I don’t think you can pick a classic. Some might be early bloomers, books with classic potential from day 1, and some might not hit their essential spurt til their junior year of high school.

It might be a simple as the right book at the right time. I’ve picked up books I couldn’t finish the first time and absolutely devoured them later. It might be an event years later that makes society read a book in a different light. It might be classics are just the favorite books of the upper echelon of the genre authors, editors and other influential voices. In the end, I think attempts to declare essential or classic genre books within a few years of their release is, while extremely fun, ultimately futile. Not to mention the chances of your predictions lasting long enough to be confirmed or disproven.

So all that being said: what are your three essential books of the new millennium?





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